Here it is in action – the clicks are me flipping the crossfader or the channel faders on the VCM-600:Īs you can see from the video, the latency really isn’t an issue. When the pedal is let go, the microphone volume is killed so no background noise is picked up. when the pedal is depressed, the music fades down and the mic up a bit, so people can hear me better. I have a sustain pedal which I use to trigger the ‘ducking’ affect in Ableton when I want to talk over the music. I sync the BPM to Resolume through Ableton Link, with Ableton Live setting the BPM for Resolume through Ableton Link, and me setting the BPM for Ableton Live using the tap-tempo on the Ableton Push controller. I run a number of scenes on autopilot mode, and use the ancient Novation SL1 Mk1 MIDI controller to apply video FX to Resolume. Looping, beat repeat, cue point jumping, tempo, sync, scratching and platter changes for each deck are handled by the controls on the Reloop 8000mk2 which are both connected via USB to Serato on the DJ laptop, so they function as a DVS system but with also pads and controls for Serato too. I don’t need the BPM to be exact at the moment for Ableton Live as I am not using any beat-synced FX or looping FX on Ableton. For the moment, I am using the Serato DJ Pro beat-synced FX on Serato, and using tap-tempo on my Ableton Push controller to set the BPM in Ableton Live. I have not synced the BPM automatically yet between Serato and Ableton Serato has a problem with Ableton Link integration I found. I also have an Ableton Push mk1 controller hooked up to broadcast PC which is useful for multiple things, but mostly for quickly controlling Ableton Live without having to mess around with the mouse. I am currently using Serato DJ Pro FX controlled by my Akai SP8 cheap controller connected to my DJ laptop, which I have changed the knobs on to make them more tactile. I might release this set later once I’ve built it up more with Ableton FX. I have adapted these both into my Ableton VCM600 template set. I am also using the DJM-900 filter clone. I am currently using the 4-band X:One EQ filter Ableton FX Unit clone from, see. It would also allow me to trigger samples from Ableton Live and have them output on one of the channels, synced to the beat. It would allow me to use high quality studio software FX in my DJ sets. I could also bring in software instruments/VSTs. Firstly it will allow me to bring in various external hardware instruments such as drum machines, hardware synths etc, all controlled via Ableton. The advantages of this setup over my previous setup are multifold, as I now have a 6 channel fully configurable mixer. The microphone for streaming is connected to the sound interface as usual, and the DJ headphones are connected to the headphone amp on the the sound interface, with mic levels and cueing dealt with via Ableton Live. When I move the faders on the Vestax VCM-600 controller attached to the broadcast PC, it functions as a DJ mixer, with the actual mixing taking place in Ableton through the UMC1820 audio interface. The outputs of the DS1 are connected via a Douk VU-Meter (to see the levels for both decks for accurate gain control while mixing) to the Behringer UMC1820 audio interface which is connected to my broadcast PC running Ableton. It outputs the Serato DJ Pro modified audio for both decks. I use a 4×4 interface compatible with Serato DJ Pro DVS, the Denon DS1, and run the timecode audio from the Reloop 8000Mk2 decks through the Denon DS1.
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